Then there’s the “Ghibli complex”: many local animators admit their work is compared — often unfairly — to Japanese masters. One short film director told me, “If you draw a floating leaf, someone will say ‘Oh, like Spirited Away.’ It’s flattering, but also paralyzing.” The Infocomm Media Development Authority (IMDA) has stepped in with the Capability Partnership Programme , offering co-funding for original 2D pilots. Meanwhile, regional streamers like Viddsee and meWATCH are actively acquiring Singaporean 2D shorts for their “local originals” slates.
In 2025, the first all-2D Singaporean feature film in 15 years — Tiger of Telok Blangka — is slated for release, backed by a crowdfunding campaign that raised S$120,000 in 48 hours. 2D animation in Singapore isn’t just an art form — it’s a form of cultural archiving. The best local 2D works capture the island’s kiasu humor, its damp afternoons, its disappearing dialect phrases. When AI can generate infinite 3D landscapes, the deliberate, imperfect stroke of a human hand becomes more valuable, not less. 2d animation singapore
As one animator put it: “We draw slow because life here moves fast. 2D is our pause button.” In 2025, the first all-2D Singaporean feature film