The original did 120 fps, but only in a cropped window. The G2 does full sensor 4.6K at 120 fps. That is a game-changer for slow-motion work. You can capture a running horse, crashing waves, or a dramatic hair flip at 4.6K and drop it into a 24p timeline for buttery smooth footage.
The Ursa Mini Pro 4.6K G2 is a heavy, battery-hungry, light-starved beast. But if you learn how to feed it, it will give you images that look like they belong on the big screen. It remains a modern classic. Have you shot on the G2? Let me know your favorite lens pairing in the comments below. blackmagic design ursa mini pro 4.6 k g2
When Blackmagic Design released the original Ursa Mini Pro, it felt like a turning point. For the first time, you had a "real" cinema camera—with ND filters, interchangeable lens mounts, and pro audio—at a price that didn’t require a second mortgage. But the 4.6K G2? That’s where things got serious . The original did 120 fps, but only in a cropped window
You cannot buy a camera that outputs 12-bit Blackmagic RAW, 15 stops of dynamic range, and 120fps 4.6K for that price anywhere else. Pair it with a set of Rokinon Cine DS lenses or old Zeiss Contax glass, and you have a cinematic package that rivals cameras costing $15,000. You can capture a running horse, crashing waves,
The included Sony L-series battery mount is basically a placeholder for a V-mount solution. You will get maybe 25-30 minutes of runtime on a standard battery. Buy a V-mount plate and a 98Wh battery immediately. Factor that into your budget.