If you’re watching a (Blu-ray Remux), the codec serves the film’s grit and grandeur faithfully. But low-bitrate streaming H.264 does a disservice to the visual chaos—banding in shadows, smearing in combat. For the definitive experience, wait for the HEVC/H.265 release or watch the H.264 Blu-ray. For a quick review copy, this is passable but not glorious.
“Are you not entertained?” – Not when I see blocking artifacts in the Colosseum crowd. gladiator ii h264
Source: 1080p H.264 (High Profile L4.1) | Bitrate Range: 8–15 Mbps (Streaming) / 18–25 Mbps (Blu-ray Remux) Aspect Ratio: 2.39:1 Visual Quality Analysis Ridley Scott’s sequel is a sensory assault in the best possible way, but the H.264 encode is a double-edged sword. The codec handles the film’s aggressive color grading—teal-orange push with crushed blacks—remarkably well in static shots. However, the moment the Colosseum floods for the naval battle sequence, the encode struggles. If you’re watching a (Blu-ray Remux), the codec