Nut Jobs Author [work] | REAL |

This author started writing a memoir. Halfway through, the “I” fragmented. Reality slipped. The Confessional Collapser cannot distinguish between what happened to them and what they dreamt happened. The result is a work like Blood and Guts in High School , where the author becomes a character who becomes a prostitute who becomes a Persian slave girl, all while rewriting Nathaniel Hawthorne. Or, more tragically, the works of John Kennedy Toole , whose A Confederacy of Dunces is so perfectly, painfully a product of its author’s isolation and paranoia that Toole killed himself before it won the Pulitzer. The nut jobbery here is not malice; it is a permeability of the skin between self and fiction.

By J. S. Latham

Of course, there is a dark side. Not every nut job is a Burroughs or a Pound. Many are just bigots with word processors. The line between “outsider visionary” and “hateful crank” is thin and bloody. The manifesto of the Unabomber, Ted Kaczynski ( Industrial Society and Its Future ), is a perfectly logical, brilliantly argued, utterly insane text. It is also a blueprint for murder. The literary world has a hard time with this. We want our crazies to be lovable, like crying about the Dharma Bums. We don’t want them building bombs. nut jobs author

This is the most lovable archetype. The Holy Fool writes a 1,200-page sci-fi/fantasy/horror/romance epic in which the grammar is optional, the plot relies on the concept of “quantum feelings,” and the hero defeats the Dark Lord by crying really hard. Think before he invented Scientology—his Battlefield Earth is a masterpiece of delusional pacing and accidental comedy. Or think of the self-published sensation Vernon Sullivan (a pseudonym of Boris Vian, who pretended to be a black American author translating his own work from a non-existent English original). The Holy Fool believes they are writing the next Dune . They are writing a beautiful, insane, unreadable fever dream. And we are richer for it. This author started writing a memoir

So raise a glass to the paranoid, the grandiose, the delusional, the obsessive. Raise a glass to the author who replied to your polite rejection email with a 10,000-word treatise on how you are a pawn of the psychic vampires. They are annoying, exhausting, and often wrong. The nut jobbery here is not malice; it

Then there is the gentle giant of American letters, . A heroin addict, accidental murderer, and occultist, Burroughs believed that language itself was a virus from outer space. His cut-up technique—scissors to a newspaper, rearranged at random—wasn't a gimmick. It was a magical ritual to exorcise control. His masterpiece, Naked Lunch , is less a novel than a splatter of fever dreams, talking assholes, and bureaucratic nightmare logic. Was he a genius? Undoubtedly. Was he a nut job? He shot a glass off his wife’s head and missed, killing her. He spent decades trying to communicate with a telepathic soul-fragment of a Mayan god. The answer is yes.