He is dancing.

He launches. First corner, he clutches in, yanks the handbrake, and feels the all-wheel-drive system fight him like a spooked stallion. The rear kicks out, but the front claws for grip, trying to pull him straight. He wrestles it, arms crossed, knuckles white. He is not drifting. He is surviving.

The world tilts.

In the neon-lit underbelly of Yokohama, the roar of an inline-six is a prayer, and the scuff of a tire against a guardrail is a hymn. —known to the underground as "The Drift King"—no longer hears the music. He feels the cold, hard arithmetic of horsepower and angle.

Rainwater beads on the window. The concrete wall rushes past his door mirror. For one suspended second, Takashi feels it: not the angle, not the speed, but the silence inside the noise. The rear tires paint a perfect arc of smoke across the asphalt. He is not fighting the car. He is not fighting Sean. He is not fighting his father.

As he straightens out, the engine howling a victory cry, Takashi realizes he has been looking in the wrong mirror. He was chasing an enemy when he should have been chasing a feeling. He kills the engine, steps out into the steam rising from his tires, and pulls out his phone. He doesn't call a crew or a bookie.