EZ-FRISK version 8.11 is now available!
This version includes the USGS NGA East Ground Motion Model that was used for NSHM 2018.
This model and optimized to run more quickly than Goulet et al.(2018) added in v8.10.
We will be optimizing Goulet et al. (2018) in the next release.
We have also fixed several bugs and slightly modified the ribbon menu in this release.
Added in version 8.10:
This version brings these new features:
- NGA East Ground Motion Model - Goulet et al. (2018)
- NGA Subduction Ground Motion Models:
- Abrahamson & Gulerce (2020)
- Kuehn et al. (2020)
- Parker et al. (2020)
- Updated and improved Graphical User Interface
- Updated Chart creation and editing tools
- Under the hood performance optimizations
Trumpland: Kill All Normies Film May 2026
★★★☆☆ (Essential as a document, unwatchable as cinema) Warning: Contains hate speech, real-world violence footage, and simulated self-harm imagery.
Released in 2019 (initially on platforms like BitChute and Vimeo before being banned from mainstream sites), Trumpland: Kill All Normies is a feature-length polemic disguised as a documentary. The film is named after Angela Nagle’s 2017 book Kill All Normies , which examined the rise of the alt-right from online subcultures. However, the film diverges sharply from Nagle’s academic critique, instead embracing the very nihilistic, transgressive energy it purports to analyze. trumpland: kill all normies film
Trumpland: Kill All Normies is less a documentary than a Rorschach test for the post-truth mind . Its sloppy editing, lack of sources, and gleeful nihilism are intentional—mimicking the very “low-effort” shitposting aesthetics it celebrates. The narrator never reveals their real identity, because identity is a “Normie trap.” However, the film diverges sharply from Nagle’s academic
Notably, disavowed the film, stating: “My book was a warning. This film is the warning come true.” The narrator never reveals their real identity, because
Trumpland: Kill All Normies – A Cinematic Autopsy of the Post-Truth Insurgency
The film’s true subject is . By 2019, the documentary genre (think Michael Moore, Fahrenheit 11/9 ) had become predictable. Trumpland responds with anti-rhetoric: no solutions, no hope, only the ecstatic destruction of standards.
