Independent lab testing (by TechRadar Labs ) placed the Watch32 IS within ±3 bpm for HR and ±2 % for SpO₂, comparable to the Garmin Venu 2 and Apple Watch 8 . ECG waveforms are clean; the device flags abnormal rhythms with a 97 % true‑positive rate. 7. Battery Life & Charging | Test | Result | |------|--------| | Typical Use (notifications, music, occasional GPS) | ≈ 2 days (48 h) | | Heavy Use (continuous GPS + music streaming) | ≈ 18 h | | Power‑Saving Mode (screen off, limited sensors) | ≈ 4 days | | Fast‑Charge (10 W) | 0 → 80 % in 45 min , full 100 % in 65 min | | Wireless Charging | Not supported – only magnetic dock. |

The 400 × 400 resolution feels a tad low on a 1.4‑in screen compared with flagship competitors (e.g., 454 × 454 on the Galaxy Watch 6). Text isn’t razor‑sharp on the smallest UI elements, but the difference is minor for most users. 5. Hardware & Performance | Component | Detail | |-----------|--------| | CPU | Qualcomm Snapdragon Wear 3100+ (dual‑core Kryo 260, 1.2 GHz) | | GPU | Adreno 610 | | RAM | 2 GB LPDDR4X | | Internal Storage | 32 GB (apps, music, offline maps) | | Battery | 420 mAh Li‑polymer (non‑removable) | | Charging | Magnetic fast‑charge (10 W) – 0 → 80 % in ~45 min | | Connectivity | Wi‑Fi 802.11 b/g/n, Bluetooth 5.2, NFC (Google Pay/Apple Pay via “InSync Pay”), GPS/GLONASS/BeiDou, FM radio (optional firmware) | | Sensors | Optical HR, SpO₂, ECG, Skin‑temperature, Accelerometer, Gyroscope, Ambient light, Barometer | | Audio | No speaker; single‑mic for voice assistant & calls (via paired phone) | | OS | InSync OS 2.1 (Wear OS 3 fork) – lightweight, Google‑Play‑store compatible, no bloatware. |

Colours are vivid, blacks are deep, and the screen remains legible under bright sunlight. The AOD mode consumes ~0.8 mA, translating to roughly 5 hours of extra battery life versus a “screen‑off” watch.

Where it was filmed 'L'ultimo Paradiso'

The director Rocco Ricciardulli, from Bernalda, shot his second film, L’ultimo Paradiso between October and December 2019, several dozen kilometres from his childhood home in the Murgia countryside on the border of the Apulia and Basilicata regions. The beautiful, albeit dry and arid landscape frames a story inspired by real-life events relating to the gangmaster scourge of Italy’s martyred lands. It is set in the late 1950’s, an era when certain ancestral practices of aristocratic landowners, archaic professions and a rigid division of work, owners and farmhands, oppressors and oppressed still exist and the economic boom is still far away, in time and space.

The borgo of Gravina in Puglia, where time seems to stand still, is perched at a height of 400m on a limestone deposit part of the fossa bradanica in the heart of the Parco nazionale dell’Alta Murgia. The film immortalizes the town’s alleyways, ancient residences and evocative aqueduct bridging the Gravina river. The surrounding wild nature, including olive trees, Mediterranean maquis and hectares of farm land, provides the typical colours and light of these latitudes. Just outside the residential centre, on the slopes of the Botromagno hill, which gives its name to the largest archaeological area in Apulia, is the Parco naturalistico di Capotenda, whose nature is so pristine and untouched that it provided a perfect natural backdrop for a late 1950s setting.

The alternative to oppression is departure: a choice made by Antonio whom we first meet in Trieste at the foot of the fountain of the Four Continents whose Baroque appearance decorates the majestic piazza Unità d’Italia.